Textured Electric Saxophone, alternately titled TexElec

Textured Electric Saxophone is not, by my definition, a digital composite. But it is digital art. This piece was created from a 17 x 11 inch misprint of a saxophone wood block I carved. The image with the two saxophones flipped and overlapping was very interesting to me so I brought it home and scanned it into my computer. My scanner can’t handle images that large so I scanned it twice and pieced it back together in Photoshop. On the left side of the image under the reed of the aqua colored saxophone the bell of the upside down and reversed lime colored sax is still visible and just a trace of the reed below the bell of the aqua sax.  Continue reading Textured Electric Saxophone, alternately titled TexElec


Pink Hats

Pink Hats is a fairly simplistic digital composite. Originally created during the first 100 days of Target Resistance the composite’s main component is a hot pink target which required only some minor rearranging of the small targets and removing a couple of elements completely. Continue reading Pink Hats

Kick the sky, kiss this guy – whatever

A friend recently posted a comedy skit by a Brit named Peter Kay in which he plays several linguistically ambivalent song clips and adds his own interpretation of the lyrics. It’s spot on and quite funny. (Actually he seems pretty funny in general but his comedy is very dependent on English popular culture which sometimes makes it hard for a Yank to follow.) Continue reading Kick the sky, kiss this guy – whatever

Cultural appropriation, go fish.

But oddly enough cultural appropriation is a hot topic in art right now too. In March at the Whitney Biennial Dana Schutz’s piece Open Casket (a painting of Emmitt Till based off of photographs taken at his funeral service) caused protests, letter writing, tweets, news articles, opinion pieces, and the buttonholing of several black artists for their thoughts and feelings about the work. Continue reading Cultural appropriation, go fish.

Dividing Green

The background is photograph taken with my phone of pieces of painted paper bisected by a strip of masking tape running across each one. The paper rectangles were arranged, more or less haphazardly, on top of the over painted surface of a work table. I used Photoshop to soften and blur the background and picked up a green shade from the paint on the table to use for the 3 lines of color that run behind the human figures. Continue reading Dividing Green

New Day New Life (Ellis Island)

In New Day New Life (Ellis Island) I only used two photographs preferring to use plain, unadulterated colors to do most of the heavy lifting. The original 1913 photograph taken by Edwin Levick and accessed from the New York Public Library’s Digital Collection can be seen here and depicts a man standing and looking out over the water in New York Harbor with boats and the shore line in the distance. Continue reading New Day New Life (Ellis Island)

Double Standards

I am curious as to why different forms of art are treated differently. Art can be thought of as the creative output in painting, literature, dance, and music. I could easily make the argument that acting is also an art. In addition to each of those broad categories there are smaller segments. In the case of dance: ballet, ballroom, or swing dancing and for literature … Continue reading Double Standards

When it hits you, you feel no pain

If you recognized the lyric from above, good job. If you didn’t recognize the lyric it’s from the song Trenchtown Rock (1971) written and performed by Bob Marley. Trenchtown is a neighboorhood in Kingston, Jamaica. It is considered the birthplace of Reggae music. One good thing about music, when it hits you feel no pain So hit me with music, hit me with music. I … Continue reading When it hits you, you feel no pain