I categorize my piece In(di)visible (2016) as a digital composite although there are no actual photographic elements. The man comes the closest as I hand drew a black Appalachian coal miner first photographed by Ben Shahn* in 1935. The black coal miners were sometimes referred to as Affalachians.** ┬áIn my image the pencil marks of the portrait disappear and even the heavy texturing of the … Continue reading In(di)visible